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The Artist's Despair Before the Grandeur of Ancient Ruins : ウィキペディア英語版
''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence

''The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.〔(【引用サイトリンク】title=Johann Heinrich Fuseli )
The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare.〔 SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.
==See also==

* Classicism
* Romanticism
* Roman sculpture
* The Anxiety of Influence

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
'The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence


''The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.〔(【引用サイトリンク】title=Johann Heinrich Fuseli )
The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare.〔 SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.
==See also==

* Classicism
* Romanticism
* Roman sculpture
* The Anxiety of Influence

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence

''The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.〔(【引用サイトリンク】title=Johann Heinrich Fuseli )
The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare.〔 SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.
==See also==

* Classicism
* Romanticism
* Roman sculpture
* The Anxiety of Influence

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
'The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence">ウィキペディア(Wikipedia)』
ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence">ウィキペディア(Wikipedia)』
ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
'The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence">ウィキペディアで「'''''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence">ウィキペディアで''The Artist's Despair Before the Grandeur of Ancient Ruins''''' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
'The Artist's Despair Before the Grandeur of Ancient Ruins'' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」の詳細全文を読む
' (German: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli. It depicts an artist's response to ruins, namely those of the Colossus of Constantine at the Capitoline Museums in Rome. The work was acquired by the Kunsthaus Zürich in 1940.(【引用サイトリンク】title=Johann Heinrich Fuseli )The artist's despair may be caused by "the impossibility of emulating the greatness of the past", by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of perspective and the "plunge into the abyss" along the right edge conjure up a sense of nightmare. SPQR may be read in the inscription on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of melancholy", is dwarfed by the fragments of the past.==See also==* Classicism* Romanticism* Roman sculpture* The Anxiety of Influence」
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